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KR (Kenneth Rosen)'s avatar

You the 4th of July at Fort Worth. O, O, O, the explosive glory of male blunder and story, female hair and its inevitable lovely apercu.

Siddhartha Mukherjee's avatar

Christopher, this was quite a ride—and I mean that literally and stylistically.

What struck me most was the sheer velocity of the writing. The date, the tow truck, the police precinct, the subway, MoMA, East Harlem, desire, danger, race, class, addiction, violence, tenderness—everything comes rushing through the same consciousness, and somehow, beneath all that apparent chaos, there is a remarkably clear emotional thread.

For me, that thread was the possibility of change. Amid everything else, the line “I am going to change my life, I am going to be the kind of person that belongs in a bed this soft” stopped me. And later, “I just want to be my own.” Those moments reveal something unexpectedly vulnerable beneath the bravado and the manic energy of the narration.

I’m happily subscribing because this doesn’t read like writing that has been carefully arranged for a reader’s approval. It feels lived, remembered, spilled, and somehow wrestled into literature. I’m curious to see where that voice goes next.

I write atmospheric fiction, satire, history, geopolitics, society, and their occasional absurdities at The Reflective State. If curiosity ever leads you there, I’d be delighted to have you read some of my work and share your thoughts.

Very glad I stumbled across your writing, Christopher. There is certainly nothing predictable about it.

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