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MoTy's avatar

The train of thought is moving so fast I keep missing stations. Losing the cat somehow reads like a solution to overcrowding. Cool chaos, as always x

Howard Salmon's avatar

This is extraordinary, and it stayed with me in a way I was not expecting.

What struck me most is that this does not read simply as noir, confession, memory, or ghost story, although it carries traces of all four. It feels more like a piece about inheritance: the things men inherit from fathers, from cities, from poverty, from violence, from their own younger bodies, and from those old ideas of strength that eventually stop working.

The hotel section is especially good. The threat itself is disturbing, but the deeper wound is humiliation. A man who has built a life, a business, a family, and a sense of himself is suddenly made powerless in front of the very people who were supposed to confirm that life had meaning. That is a much more frightening thing than simple danger. It is the collapse of the story he had been living inside.

I also loved the way the piece keeps moving between the grotesque and the tender. The humor is sharp, almost defensive, but underneath it there is grief everywhere: lost time, lost authority, lost homes, lost versions of the self. Even the small details — coffee, collar starch, hair oil, a remembered pistol, the cat singing when she can — feel like objects left behind after some larger emotional explosion.

The Shirley Jackson nod feels earned. The haunting here is not a ghost in the hallway. It is the building, the family, the city, the body, and the old masculine code still rattling around long after it has stopped being useful. Really powerful work.

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